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Alicia Haddick

Staff Writer

New York Asian Film Festival 2021 Showcases Range of Japanese Films for Hybrid Event

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Understanding a Dreaming Universe: Revisiting Makoto Shinkai’s The Place Promised in Our Early Days

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Full-Length Trailer for Live-Action Adaptation of Inio Asano’s A Girl on the Shore Revealed

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Midnight Swan Review: An Award-Winning Glorification of Transgender Trauma and Suffering

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Edited Version of Lost 1935 Princess Kaguya Featuring Eiji Tsuburaya Special Effects Uncovered

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The Anime Tube Kickstarter Is Not the Sound Investment it Claims to Be [UPDATE]

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Nintendo Switch (OLED Model) Announced for October Release

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Mobile Suit Gundam Hathaway Review: The Consequence of War (and Streaming)

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What’s New and Hot at the Japanese Box Office: July 2021 Edition

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The Biggest Upcoming Japanese Gaming Releases of Summer 2021

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Previewing the Biggest Anime of the Summer 2021 Anime Season

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A Family Review: Netflix’s 20-Year Yakuza Epic Like No Other

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Latest Slate of Fantasia Film Festival Announcements Centers on Anime and Japanese Live-Action Adaptations

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Animation Film Festival Directors Around the World Discuss Technology, Gaming, VR, and COVID’s Impact on Festivals – Annecy Film Festival 2021

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International Animation Directors Discuss Influence of Anime on Their Work – Annecy Film Festival 2021

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The Best Japanese Short Films From Annecy Film Festival 2021

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The Deer King Review: A High-Fantasy Anime Marvel – Annecy Film Festival 2021

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TOEI Talks About Kamen Rider W’s Creation and Kamen Rider Fuuto PI as a Second Chance for the Franchise Internationally – Annecy Film Festival 2021

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‘Fena: Pirate Princess’ Director and Producer Give Glimpse into Production on Crunchyroll Original x Production I.G Series – Annecy Film Festival 2021

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New Annecy Film Festival 2021 Preview for Masaaki Yuasa’s Inu-Oh Takes Us Back in Time to 14th-Century Japan

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