Alicia Haddick
The Forgotten Kaiju Trilogy: Daimajin – Your Japanese Film Insight #29
Why You Should Watch Kiniro Mosaic: The Cross-Country Slice-of-Life – OTAQUEST Selects #48
Words Bubble Up Like Soda Pop Review: An Overly-Formulaic Summer Movie Reminding Us of Our Need to Connect
New York Asian Film Festival 2021 Showcases Range of Japanese Films for Hybrid Event
Understanding a Dreaming Universe: Revisiting Makoto Shinkai’s The Place Promised in Our Early Days
Full-Length Trailer for Live-Action Adaptation of Inio Asano’s A Girl on the Shore Revealed
Midnight Swan Review: An Award-Winning Glorification of Transgender Trauma and Suffering
Edited Version of Lost 1935 Princess Kaguya Featuring Eiji Tsuburaya Special Effects Uncovered
The Anime Tube Kickstarter Is Not the Sound Investment it Claims to Be [UPDATE]
Nintendo Switch (OLED Model) Announced for October Release
Mobile Suit Gundam Hathaway Review: The Consequence of War (and Streaming)
What’s New and Hot at the Japanese Box Office: July 2021 Edition
The Biggest Upcoming Japanese Gaming Releases of Summer 2021
Previewing the Biggest Anime of the Summer 2021 Anime Season
A Family Review: Netflix’s 20-Year Yakuza Epic Like No Other
Latest Slate of Fantasia Film Festival Announcements Centers on Anime and Japanese Live-Action Adaptations
Animation Film Festival Directors Around the World Discuss Technology, Gaming, VR, and COVID’s Impact on Festivals – Annecy Film Festival 2021
International Animation Directors Discuss Influence of Anime on Their Work – Annecy Film Festival 2021
The Best Japanese Short Films From Annecy Film Festival 2021
The Deer King Review: A High-Fantasy Anime Marvel – Annecy Film Festival 2021
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